Alma Tadema
Alma Tadema's Oil Paintings
Alma Tadema Museum
8 January 1836 – 25 June 1912. Most renowned painters.

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Here are all the paintings of Francesco Albani 01

ID Painting  Oil Pantings, Sorted from A to Z     Painting Description
76658 Adonis Led by Cupids to Venus, detail Francesco Albani Adonis Led by Cupids to Venus, detail 1600(1600) Oil on canvas cjr
58182 Albani Baptism of Christ ca 1640 Francesco Albani Albani Baptism of Christ ca 1640 Albani's Baptism of Christ ca 1640 (State Hermitage Museum, St. Petersburg).
82414 Apollo and Daphne Francesco Albani Apollo and Daphne ca. 1615-1620 (1600-1625) Medium Oil on copper of panel Dimensions 17.5 x 35.5 cm (6.9 x 14 in) cyf
79515 Apollo and Daphne. Francesco Albani Apollo and Daphne. ca. 1615-1620 (1600-1625) Oil on copper of panel 17.5 x 35.5 cm (6.9 x 14 in)
79595 Apollo and Daphne. Francesco Albani Apollo and Daphne. ca. 1615-1620 (1600-1625) Oil on copper of panel 17.5 x 35.5 cm (6.9 x 14 in) cjr
73796 Baptism of Christ Francesco Albani Baptism of Christ Baptism of Christ cjr
79605 Cupids to Venus Francesco Albani Cupids to Venus 1600(1600) Medium Oil on canvas cyf
77166 Diana and Actaeon Francesco Albani Diana and Actaeon ca. 1617(1617) Oil on copper 61 cm (24 in). Height: 52 cm (20.5 in). cjr
80586 Diana and Actaeon Francesco Albani Diana and Actaeon 1617(1617) Medium Oil on copper cyf
82452 Hermaphroditus and Salmacis Francesco Albani Hermaphroditus and Salmacis Oil on copper of panel Dimensions 14 x 31 cm (5.5 x 12.2 in) cyf
92043 Hermaphroditus and Salmacis Francesco Albani Hermaphroditus and Salmacis between 1591(1591) and 1666(1666) Medium oil on copper mounted on panel Dimensions 14 X 31 cm (5.5 X 12.2 in) cyf
79560 Hermaphroditus and Salmacis. Francesco Albani Hermaphroditus and Salmacis. between 1591(1591) and 1666(1666) Oil on copper of panel 14 x 31 cm (5.5 x 12.2 in) cjr
77302 Holy Family Francesco Albani Holy Family between 1630(1630) and 1635(1635) Oil on canvas 43 cm (16.9 in). Height: 57 cm (22.4 in). cjr
76011 Spring Francesco Albani Spring between 1616(1616) and 1617(1617) Oil on canvas cjr
77945 Spring Francesco Albani Spring between 1616(1616) and 1617(1617) Medium Oil on canvas cyf
82983 The Baptism of Christ Francesco Albani The Baptism of Christ xThe Baptism of Christx, oil on canvas, State Hermitage Museum, St. Petersburg Date 1630 - 35 cjr
88769 The Baptism of Christ Francesco Albani The Baptism of Christ 1630-35 Medium Oil on canvas cyf
80091 The Cupids Disarmed Francesco Albani The Cupids Disarmed between 1621(1621) and 1633(1633) Oil on canvas Height: 202 cm (79.5 in). Width: 250 cm (98.4 in). cjr
76008 The Holy Family Francesco Albani The Holy Family ca. 1610(1610) Oil on copper 28.5 cm (11.2 in). Height: 37.5 cm (14.8 in). cjr
77947 The Holy Family Francesco Albani The Holy Family ca. 1610(1610) Medium Oil on copper cyf
82266 The Holy Family Francesco Albani The Holy Family The Holy Familyx, oil on canvas Date 1630 - 35 cjr
86671 The Holy Family Francesco Albani The Holy Family Date 1630-35 Medium Oil on canvas cjr
75849 TOilet of Venus Francesco Albani TOilet of Venus between 1621(1621) and 1633(1633) Oil on canvas 252 cm (99.2 in). Height: 202 cm (79.5 in). cjr

Francesco Albani
(March 17 or August 17, 1578 COctober 4, 1660) was an Italian Baroque painter. Born at Bologna, his father was a silk merchant who intended to instruct his son in the same trade; but by age twelve, Albani became an apprentice under the competent mannerist painter Denis Calvaert, where he met Guido Reni. Soon he followed Reni to the so-called "Academy" run by the Carracci family: Annibale, Agostino, and Ludovico. This studio fostered the careers of many painters of the Bolognese school, including Domenichino, Massari, Viola, Lanfranco, Giovanni Francesco Grimaldi, Pietro Faccini, Remigio Cantagallina, and Reni. In the year 1600, Albani moved to Rome to work in the fresco decoration of the gallery of the Palazzo Farnese, being completed by the studio of Annibale Carracci. Rome, under Clement VIII Aldobrandini (1592-1605) was exhibiting some degree of administrative stability and renewed artistic patronage. While pope Clement was born from a Florentine family residing in Urbino, his family was allied by marriage to the Emilia-Romagna and the Farnese, since Ranuccio I Farnese, Duke of Parma had married Margherita Aldobrandini. Parma, like Bologna, are part of the Region of Emilia-Romagna. Thus it was not surprise that Cardinal Odoarde Farnese, Ranuccio's brother, chose the Carraccis from Bologna for patronage, thereby establishing Bolognese predominance of Roman fresco painting for nearly two decades.
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